This portfolio brings together my full spectrum visual language — a dialogue between abstraction, impression, and expression, united under the philosophy of Allegorical Abstractionism. Each photographic series becomes a chapter in a larger narrative: a meditation on light, motion, and the spiritual dimension of form.

Abstract Works

At the purest level of experimentation lie the abstract works — pieces from the Abstraction Series such as Flame Abstraction, Chromatic Eruption or From Dawn to Night. Here, gesture replaces structure, and photography approaches painting. Light dissolves into energy, color becomes rhythm, and form fades into emotion. These works represent the intuitive, immaterial side of Morón’s art.

Impressionist Narratives

In another register, the Impressionist Narratives — Eden Tree, Sunset and Sea Series — remain connected to the real world but are filtered through color, memory, and atmosphere. They evoke the Mediterranean light, turning landscapes into sensations and mythic echoes.
The photograph becomes a breathing instant, where perception itself transforms into poetry.

Expressionist Visions

The Expressionist Visions — Volcano La Palma Series, Encrypted Sun, Urban Alignment and the Selected Works — channel the intensity, tension and dramatism that define Morón’s southern temperament. Fire, architecture and movement collide, creating allegories of fragility, rebirth and human confrontation with nature. These images belong to the realm of emotion as structure.

Allegorical Abstractions

Running through all his work is a transversal current: Allegorical Abstractionism — my philosophical heart practice. These images are not tied to any single series but appear across many of them: moments where form becomes symbol and gesture becomes metaphor. Every tree, flame, or wave transcends its subject to speak of something interior — the unity between light, matter, and spirit. They are the hidden architecture of meaning behind all his series.

This portfolio is not a chronology but a constellation — a map of encounters between vision and concept, energy and form, under the radiant sky of the Mediterranean Baroque.

Selected works

Selected Works gathers the photographs that define the spirit of Héctor Morón’s art — moments where motion becomes meaning and light reveals its symbolic voice. Each image is born from a gesture, from the union of control and surrender. They move between abstraction and expression, between energy and silence, embodying the essence of Allegorical Abstractionism. Here, the visible world dissolves into emotion, and photography becomes a language of transformation — a meditation on how time, color and movement can turn into thought.

Eden Tree Special Cycle

Eden Tree unfolds as a symbolic journey through balance, ambition, collapse and renewal. Across its four movements, the tree becomes more than a motif: it is a mirror of humanity itself — the search for harmony, the intoxication of growth, the fall into shadow, and the quiet wisdom of rebirth. The series begins with a vision of equilibrium, where creation stands whole and unbroken. Then, light turns epic, expansion becomes excess, and beauty reveals its fragile edge. Darkness arrives, swallowing certainty; yet even in that void, the tree endures, glowing with defiance. Finally, light returns — transformed, humbled — a peace no longer innocent but earned. Eden Tree stands as the allegorical heart of his vision — a meditation on endurance, humility and the luminous balance that follows struggle.

Abstraction Collection

The Abstraction Collection explores the purest frontier of my visual language — where form dissolves and light itself becomes subject. Yet within this abstraction lies a dual nature: two paths that converge toward the same metaphoric core. The first path is pure abstraction: images in which the visible world disappears completely, replaced by rhythm, color and energy. Here, the photograph is not a record of reality but a pulse of motion — a fragment of the unseen, where light behaves like emotion. The second path is organic abstraction: works born from trees and their fragments — trunks, branches, leaves — transformed through movement until their origin becomes almost imperceptible. Nature survives only as vibration, memory, and symbol. Both paths lead to the same territory: a space where energy turns into metaphor and perception becomes inner vision.

Allegorical Abstractionism: Dehumanization Triptych

The Dehumanization Triptych stands as one of the central chapters within my visual philosophy, Allegorical Abstractionism — a language where light and movement become moral forces rather than formal devices. Conceived as a three-movement cycle — The Golden Decay, The Conflict, and The Earth Remains — the work transforms abstraction into narrative. Through shifting energies of light, fire, and water, it traces the symbolic collapse of civilization and the subsequent restoration of the natural order. Each image operates as an allegory: architecture succumbing to illumination, nature reclaiming balance, and finally, matter purified into elemental consciousness. This proyect is not a lament for humanity, but a meditation on permanence — on what survives when meaning, faith, and form dissolve. In the silence after history, the world endures. The earth remains.

Volcano La Palma Project

In the Volcano La Palma Project, Here it turns a natural cataclysm into an allegory of birth and transformation. These images were forged at the threshold where fire meets the ocean — moments of incandescent tension when matter, color and energy merge into a single gesture. Here, destruction and creation are inseparable. The lava’s movement becomes a metaphor for time itself: relentless, luminous, consuming. Each photograph captures that instant when the world is simultaneously ending and beginning again. What could have been mere spectacle becomes contemplation — the sublime translated through motion. Within this series lies the most visceral dimension of Allegorical Abstractionism: the belief that even in chaos, light seeks form; that beauty can arise from the violence of transformation. Volcano La Palma is not about catastrophe, but about the sacred pulse of renewal — the moment when earth, fire and sea speak the same language.

Encrypted Sun Cycle

Encrypted Sun stands as the metaphoric hinge of my universe — a series where the visible and the invisible converge through the pulse of light. Here, the sun is not a source but a messenger: it carries the energy that binds the upper and lower worlds, the atmospheric and the earthly, the divine and the human. Each image becomes a passage — a translation of radiance into matter, a code through which the sky feeds the living surface of nature.

Sea Collection

In the Sea Collection, I explore the ocean’s movement and light through ICM fine art photography — transforming waves, tides, and reflections into abstract expressions of calm and creation. The artist’s vision moves beyond seascape photography into the realm of allegory and meditation, where water becomes a metaphor for time and emotion. In the Sea Series, Héctor Morón transforms the ocean into a field of energy — a living threshold between matter and spirit. These are not seascapes but states of being, where movement replaces contour and color becomes the language of breath. Sea Series embodies continuity through dissolution — the moment when form surrenders to rhythm, and rhythm becomes pure existence.

Tree Collection

Beyond the myth of Eden, the tree remains a living metaphor of resilience, fragility, and transformation. Each work captures a spiritual bond with nature, where branches and trunks dissolve into expressive layers. The series reflects how trees stand not only as forms of life, but as witnesses of time and meaning. The symbolic spirit of Eden continues through other works — trees that echo the myth of origin and renewal, from “Falling Dreamtree” to “Stone Tree” and “Magic Lemon Tree.” Together, they expand the allegory beyond the original Eden.

Selected Works#2

Selected Works II expands this vision of abstract ICM fine art photography, deepening the dialogue between movement and light. Each piece reflects a more introspective energy — a refined stage in Morón’s exploration of Allegorical Abstractionism, where form, rhythm, and color become instruments of spiritual resonance.

Urban Light Collection

Cities dissolve into abstraction — neon lights, cars, and silhouettes blur into painterly gestures. These works portray urban restlessness, where humanity’s presence appears fleeting, fragile, and ghostlike. The series becomes a reflection of modern life in motion.

La Alhambra (Triptych)

The Alhambra has always been more than a monument to me — it is a living symbol of human ambition, memory, and transformation. In this triptych I wanted to explore how its essence changes through time: from fortress to culture, from culture to nature. Each image is not a document of place, but a state of being — a meditation on power, emotion, and the inevitable return of life to its origin. Through the language of Allegorical Abstractionism, I transform architecture into light and movement, letting the human story dissolve into the landscape that once sustained it.

Selected Works III

The third selection continues the exploration of transformation through motion and light. Here, the focus shifts toward coexistence: between architecture and nature, speed and silence, geometry and breath. Through intentional camera movement, the physical world loses its boundaries and becomes a field of vibration. Selected Works III unfolds as a visual meditation on revelation — the instant when the constructed and the organic merge into a single luminous consciousness.

Path Collection

Every path is both physical and symbolic: a journey through light, uncertainty, and hope. These images invite the viewer to walk along roads that echo human destiny — winding, fractured, yet always pointing toward the possibility of renewal.

Sunset Collection

The Sunset Collection captures the fleeting light of dusk, where landscapes dissolve into abstraction. Within Allegorical Abstractionism, the Sunset Series connects to solar works — from “Golden Light” to the “Encrypted Sun” collection — where the sun becomes a metaphor of creation, energy, and transcendence.

River Collection

Rivers turn into color and rhythm, surfaces of reflection and transition. Flow becomes metaphor: a reminder of nature’s continuity, of how everything moves toward change.

Flowers Collection

A lighter, contemplative counterpoint: blossoms dissolve into impressionist gestures, turning decoration into fleeting emotion. These works show how beauty can be simple and immediate, without allegory.

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