Selected Works brings together photographs that embody the core of my artistic vision. These images are not only milestones, but also thresholds — each one crystallising the abstract, impressionist, and expressionist qualities that define my language of ICM. This selection is less a retrospective than a constellation: fragments of light, movement, and allegory that chart the evolution of my practice.
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Nature Against Humanity sets fragile human dwellings — barely visible on the horizon — against the vast, organic power of nature. This is not an ecological manifesto but a vision of scale and inevitability: the slow return of matter to its origin. No matter our architecture or technology, only time delays the moment when the living earth will reclaim what was built.
In this allegorical landscape, the sun breaks through a heavy veil of shadow, offering the promise of salvation. The mountain stands as a silent guardian, while the field of violet and blue flowers bends toward the golden light. Between destruction and renewal, between the end and the beginning, Eden emerges once more as the last refuge of hope
La Alhambra I emerges as more than architecture: a dreamlike atmosphere where light and shadow weave patterns across ancient stone. History turns into memory, and memory into abstraction, inviting the viewer into a space of contemplation
Hiker in the Surroundings of the Alhambra extends the dreamlike atmosphere beyond the walls of the monument. The human figure appears small within nature’s embrace, linking history and landscape in a single vision
Specters Chase Lights reflects on human dependence on technology and the frenzy of consumerism. Figures dissolve into ghostlike forms, chasing artificial light as if addicted to it. What once was celebration turns into obsession — a vision of humanity reduced to shadows pursuing its own illusions.
The Boatman appears as a solitary figure crossing between realms. More than a man on water, he becomes a symbol of passage and transition — a reminder that human destiny is always bound to nature’s currents
Impressionist City transforms the urban night into rhythm and color. Lights blur into brushstrokes, dissolving the city’s structure into a dreamlike atmosphere. What remains is not architecture but vibration — the pulse of the metropolis
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