I am pleased to share that my article on Dehumanization Triptych has been published in ICM Photography Magazine [June 2026 – Issue #25], a publication dedicated to Intentional Camera Movement, creative photography, abstraction, and experimental photographic processes.

Dehumanization Triptych is a three-part photographic work that explores the transformation of the human figure within contemporary urban and technological environments. Through movement, long exposure, abstraction, and intentional visual distortion, the series reflects on how the individual can become fragmented, displaced, or absorbed by the structures that surround them.

Rather than using ICM only as a visual effect, the triptych approaches movement as a symbolic language. The blurred body, the unstable architectural space, and the tension between presence and disappearance become part of a broader reflection on modern life, alienation, and the loss of human centrality.

The article situates Dehumanization Triptych within my ongoing development of Allegorical Abstractionism, an artistic approach based on abstraction, symbolism, movement, light, and intentional visual language. In this context, the camera is not used simply to record the world, but to transform it into metaphor.

This publication in ICM Photography Magazine represents an important editorial recognition of one of my key early bodies of work, and of my broader research into ICM photography as a conceptual and symbolic form of contemporary fine art.